Israel’s kidnapping shows once again that it has no qualms with ignoring the so-called ‘rules’ of international law.

L’Argent (1983), the final film by Robert Bresson, explores the ways that money controls our lives. 

There are effectively two distinct Western alienations – that of the ruling class and that of the working class.

Thousands of workers and youth poured onto the streets and spontaneous efforts were made to prevent ICE vehicles from fleeing the scene with their captives.

We are living through a period of sharp turns and sudden changes in the world situation. The election of Donald Trump as the president of the United States and his policies have introduced enormous instability into world politics, the world economy and relations between the powers.

For the European ‘powers’ the end of the conflict means a decisive step towards the US withdrawing from Europe.

Under the guise of fighting Trump’s tariffs, the Canadian capitalist class is ramping up its attacks on workers and the oppressed, laying bare the fiction of “Team Canada”.

Trump is like the boy that cried wolf. His threats look increasingly unserious, especially after China showed that he can be made to back down.

In L’établi, Robert Linhart recounts his experience as a worker on an assembly line in a large Citroën car factory in 1968-1969.

The problems of Canada Post are a problem of the capitalist system. Unless we develop a socialist solution and seize the private delivery companies, Canada Post must compete with them.