What makes this version of the tale come to life is that the tragedy doesn’t come from hubris, or trying to cheat fate. The tragedy is capitalism.

What makes the book really striking is that Tolstoy isn’t just telling the story of individuals, but revealing the psychology of an entire class.

Rogers has shamelessly destroyed a Saturday night tradition that spans generations, and has taken away the last free way for Canadians to watch hockey.

Latest episode of The Class Line

The irony is that I Love Boosters itself trips up at being art and slips towards being a textbook in a colourful disguise.

Instead of a celebration of the game, the World Cup has turned into a party for the rich.

Showing the crimes that imperialism inflicted upon Palestinians nearly a century ago is vital for understanding the crimes it inflicts upon them today—but also to the Palestinians’ ongoing will to resist.

“The conception I had from the beginning was of a film rep­resenting a society, a group. I wanted to depict a class.”

Falardeau rails against the “profiteers who pass themselves off as philanthropists,” the “groveling journalists dressed up as servile editorialists,” the “senile senators” and other specimens of rapacious capitalists, “in New York, Paris, Mexico City.”

Bad Bunny has accompanied a whole generation from their parties to their protests, without compromising his artistic vision.